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When I first turned on Ross Dimsey’s ‘Final Cut (1980)’, I had very little feelings on what to expect. I wish I could say I had high hopes,

Girl on the Third Floor (2019)’s only redeeming quality is Sarah. And even then redeeming might be a bit of a stretch.

While Sayadian pays homage to Kubin through his set design, he fails in following in the original vision for the story.

Despite the dramatics Brava’s Black Sunday is a stunning film. It’s visually sticking, from the production design to the lighting to the

Attachment is a queer love story wrapped in a horror shell, it’s a romcom gone wrong that brings a  fresh perspective by stepping away from